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LondonLes Arts Florissants: La Grande Audition de Leipzig
Telemann, Kuhnau, Bach, Graupner
Paul Agnew; Les Arts Florissants; Miriam Allan; Maarten Engeltjes; Thomas Hobbs
LondonLes Arts Florissants & Amala Dianor Company
Gesualdo: Tenebrae Responsoria
Paul Agnew; Les Arts Florissants; Compagnie Amala Dianor
ParisMarc-Antoine Charpentier / La Descente d'Orphée aux enfersSemi-staged performance
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Charpentier
William Christie; Marie Lambert-Le Bihan; Les Arts Florissants; Stéphane Facco; Martin Chaix; Josipa Bilić
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Pop goes Purcell: Les Arts Flo serve up an intoxicating cocktail
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The Toronto Summer Music Festival opens with Les Arts Florissants’ enchanting performance of Purcell’s The Fairy Queen, featuring the singers of Le Jardin des voix and the dancers of Compagnie Käfig.
Epiphany meditation from Paul Agnew and Les Arts Florissants
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In the intimate setting of Lauenen Church, Agnew and Les Arts Florissants introduce us to the austere sound world of Marc-Antoine Charpentier and other French composers of 17th-century sacred music.
Handel's pastoral sings, dances and laughs at the Barbican
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William Christie directs with all his customary close involvement, and profound belief in the work in hand.
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ParisAirs sérieux et à boire (Serious Airs and Drinking Songs)
Lambert, Couperin, de la Barre, Charpentier
Les Arts Florissants; William Christie; Emmanuelle de Negri; Anna Reinhold; Marc Mauillon; Lisandro Abadie
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About a work: Paul Agnew on Purcell’s Fairy Queen
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Les Arts Florissants’ new production combines choreography from Mourad Merzouki with the vocal ensemble Les Jardins des Voix, turning Purcell’s fantastical work into a sung ballet.
Idyllic scenery and fiery performances: LuganoMusica’s new season
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The 2023–24 season at Lugano’s LAC boasts a wide range of orchestral and chamber offerings, including visits from Martha Argerich, Ton Koopman, Riccardo Chailly and Grigory Sokolov.
Théotime Langlois de Swarte, mad lover du violon baroque
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« Un musicien aujourd’hui doit définir son but, sa mission, sa raison d’être. » Le violoniste le plus en vue de la sphère baroque française se confie sur son parcours, son instrument et ses différents projets.