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Performer: Christian Curnyn

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LondonPurcell: Dido and AeneasConcert performance

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Purcell: Dido and Aeneas
Christian Curnyn; Early Opera Company; Beth Taylor; Jonathan Brown; Anna Dennis; Hilary Summers
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Comic overkill stunts Handel’s Giulio Cesare at Grange Festival

Tim Mead (Giulio Cesare) and Hugh Cutting (Tolomeo) © Richard Hubert Smith
Despite excellent vocal performances, David Alden’s production of Giulio Cesare in Egitto aims at irreverence but overplays the comedy.
***11
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Cocteau-esque camp: Alden’s Partenope returns to ENO

Hugh Cutting (Arsace) and Nardus Williams (Partenope) © Lloyd Winters
Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits. 
****1
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In Mears’ bleak Royal Opera Semele, Pretty Yende stands out

Pretty Yende (Semele) © The Royal Opera | Camilla Greenwell
Superb Handelian singing and intense character acting light up Handel’s Semele, staged as a stark, uncompromising indictment of the rich and powerful. 
****1
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Fairy style for the Fairest Isle: King Arthur at Temple Church

Henry Purcell © Public domain
A concert performance of a Purcell semi-opera can never fully succeed, but compromise is worth it, if it enables us to hear a significant part of a major composer's output.
****1
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Big-hearted, quirky, fun: Richard Jones' Alcina for The Royal Opera

Lisette Oropesa (Alcina) © ROH | Marc Brenner
Lisette Oropesa leads strong vocal performances in Handel's madcap tale of love and sorcery. Richard Jones' production is visually all over the place, but in a good way.
****1
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Excellent cast crowns The Royal Opera's Ariodante in concert

It’s the title character who gets the best tunes in Ariodante and Irish mezzo-soprano Paula Murrihy ate them up. 
*****
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