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Cocteau-esque camp: Alden’s Partenope returns to ENO
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Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.
In Mears’ bleak Royal Opera Semele, Pretty Yende stands out
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Superb Handelian singing and intense character acting light up Handel’s Semele, staged as a stark, uncompromising indictment of the rich and powerful.
Fairy style for the Fairest Isle: King Arthur at Temple Church
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A concert performance of a Purcell semi-opera can never fully succeed, but compromise is worth it, if it enables us to hear a significant part of a major composer's output.
