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Performer: Christopher Lemmings

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CardiffLa bohème

Welsh National Opera
Puccini: La bohème
Corinna Niemeyer; Floris Visser; Welsh National Opera; Dieuweke van Reij; Jon Morrell; Alex Brok; Welsh National Opera Orchestra

LlandudnoLa bohème

Welsh National Opera
Puccini: La bohème
Corinna Niemeyer; Floris Visser; Welsh National Opera; Dieuweke van Reij; Jon Morrell; Alex Brok; Welsh National Opera Orchestra

SouthamptonLa bohème

Welsh National Opera
Puccini: La bohème
Corinna Niemeyer; Floris Visser; Welsh National Opera; Dieuweke van Reij; Jon Morrell; Alex Brok; Welsh National Opera Orchestra

OxfordLa bohème

Welsh National Opera
Puccini: La bohème
Frederick Brown; Floris Visser; Welsh National Opera; Dieuweke van Reij; Jon Morrell; Alex Brok; Welsh National Opera Orchestra

PlymouthLa bohème

Welsh National Opera
Puccini: La bohème
Corinna Niemeyer; Floris Visser; Welsh National Opera; Dieuweke van Reij; Jon Morrell; Alex Brok; Welsh National Opera Orchestra
Latest reviewsSee more...

Terfel’s craggy Boris Godunov returns to Covent Garden

Sir Bryn Terfel (Boris Godunov) © The Royal Opera | Mihaela Bodlovic
The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight. 
****1
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Death Becomes Her: Floris Visser's new Bohème at Glyndebourne

An ideal young cast and a thoughtful production bring fresh perspectives to Puccini's tragedy.
*****
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Lend me your ears: Battistelli's Julius Caesar charms Rome

The Teatro dell'Opera opens its season with the world premiere of Giorgio Battistelli and Ian Burton's new Shakespearean work, under the baton of Daniele Gatti and the direction of Robert Carsen.
****1
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A bizarre ride: Unsuk Chin's Alice in Wonderland

Unsuk Chin's opera Alice in Wonderland is performed by the Los Angeles Philarharmonic, conducted by Susanna Mälkki. This is no Disney movie! 
***11
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Knussen's Sendak operas at the Barbican

While there’s no reason that a children’s opera should be simple or easy, there’s no real need for it to be difficult either. So I was a little confused going into the Barbican’s performance of Oliver Knussen’s brilliant brace of Maurice Sendak adaptations this Saturday, which was surrounded, despite the works’ subject matter, with a slightly unbecoming aura of seriousness.
****1
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Dudamel and the LA Phil take Disney Hall Where the Wild Things Are

The memory has dimmed somewhat in the past few years. But it remains firmly entrenched in my mind. I wish I could say that this moment was a formative one in my development as musicologist; that destiny took hold of this young boy and led him to the path of his eventual vocation. But no such thing happened.
****1
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