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La Reine de Chypre claims three tenor victims
Richard Wagner, reviewing La Reine de Chypre for the Dresden Abend-Zeitung, praised Halévy's opera as “decidedly the best that has appeared on the Opéra's boards since Meyerbeer's Les Huguenots”. It's impossible not to agree.
Prom 14: a Barber with bite as Glyndebourne goes to The Proms
Glyndebourne's annual performance at the Proms proves dramatically untraditional but musically solid.
Forced farce: Arden's Barber at Glyndebourne
Annabel Arden's new production, although decently sung and visually striking, is seriously under-directed, allowing forced acting to blunt the humour.