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BrusselsLa Cenerentola
Rossini: La Cenerentola (Cinderella)
Speranza Scappucci; Daniel Kramer; La Monnaie | De Munt; Stefano Sarzani; Carlos J Soto; Elana Siberski
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Reality wants augmenting in Daniel Kramer's Die tote Stadt
What's a director to do while we wait for technology to catch up with the complexities of the human condition?
Jack the Ripper: The Women of Whitechapel
Daniel Kramer’s direction is a model of restraint compared to some of his earlier work for the company.
Inspiration eludes Kramer in Britten's War Requiem at ENO
The music’s explosions of volume have an open-throated magnificence.
More croce than delizia in Kramer’s new Traviata
Despite the entertainment value and striking imagery, Kramer's production is a surprisingly dull affair, with curiously little chemistry between the lead couple.
Rewriting Rimsky: a dismal Sadko in Ghent
Rimsky-Korsakov’s opera is rarely performed outside Russia. Sadly, I doubt that Daniel Kramer’s staging for Opera Vlaanderen will win it many new friends.
Transfigured night: Tristan and Isolde
English National Opera's new Tristan is at its best when responding to Anish Kapoor's stunning stage sculptures.