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Clémentine Margaine's Carmen seduces in Naples
The staging highlighted Carmen’s rebellious traits more than her sensual exoticism.
Carmen in Naples
The story still remained moving and the performance was musically pleasant, but the staging did not convince overall
In the world of Pagliacci, everybody is a clown
In this anti-realistic, colourful and beautifully played production of Pagliacci, the director extends the concept expressed in the Prologue: clowns are real life people, but also real life people are clowns in a larger play.
Hure und Heilige: Ástor Piazzollas María de Buenos Aires in Genf

Piazzollas Tango-Oper erfährt durch den Regisseur Daniele Finzi Pasca und seine Compagnia eine gewagte Neudeutung. Und der Dirigent Facundo Agudín erweitert das Bandaneon-Ensemble zu einem veritablen Orchester.
