Performer: David Hays

NYCB's triple bill that harks back to the 1950s proves a love letter to an America that never was.

A slightly under par opening night at New York City Ballet but nevertheless, some strong individual performances.

Balanchine's much-loved yet maddeningly disjointed A Midsummer Night's Dream returns to New York City Ballet. Some glorious performances on opening night, some uneven. But the night belonged to the bugs.

New York City Ballet dancing Balanchine's A Midsummer Night's Dream is the happiest way to end a long season.

An uneven performance with mishaps and mis-pairings, yet still offering some outstanding individual interpretations.

Someone at New York City Ballet needs to believe in Orpheus before they present it again.