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Performer: Dmitry Belosselskiy

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GenevaVerdi

Verdi
Verdi: Messa da Requiem
Orchestre de la Suisse Romande; Myung-whun Chung; Zarina Abaeva; Ekaterina Semenchuk; René Barbera; Dmitry Belosselskiy

GenevaVerdi

Verdi
Verdi: Messa da Requiem
Orchestre de la Suisse Romande; Myung-whun Chung; Zarina Abaeva; Ekaterina Semenchuk; René Barbera; Dmitry Belosselskiy

ParisAidaNew production

Verdi: Aida
Michele Mariotti; Lotte de Beer; Opéra national de Paris; Christof Hetzer; Jorine van Beek; Elīna Garanča; Ksenia Dudnikova
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A monolithic Nabucco at Dutch National Opera

George Petean (Nabucco) © Martin Walz
A promising cast on paper is scuppered by a banal, monotonous production and uninspired conducting.
**111
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Don Carlo doesn't find his place in Madrid

Marcelo Puente (Don Carlo); Maria Agresta (Elisabetta) © Javier del Real | Teatro Real
Sir David McVicar's unassuming production fails to engage with the political side of Verdi's masterpiece, despite good conducting by Nicola Luisotti and some good singing by a solid cast. 
***11
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A colorless Don Giovanni at the Metropolitan Opera

Peter Mattei (Don Giovanni) © Marty Sohl | Met Opera
The Met's spectators love Mozart’s opera, but they deserve an updated staging.
***11
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Netrebko triumphs as Aida at The Met

Anna Netrebko (Aida) and Anita Rachvelishvili (Amneris) © Marty Sohl | Metropolitan Opera
Netrebko met the audience’s high expectations, as she does every time, conquering the challenges with her remarkable artistry. 
*****
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A chiaroscuro-free, shiny Samson et Dalila at The Met

Elīna Garanča (Dalila) © Ken Howard | Metropolitan Opera
The Met's new season opens with a new Samson et Dalila only marginally more trashy than Saint-Saëns’ peculiar brand of kitschy orientalism.
***11
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Superb Yoncheva and Beczała in Met's Luisa Miller

Sonya Yoncheva (Luisa) and Piotr Beczała (Rodolfo) © Chris Lee | Metropolitan Opera
The role of Luisa, some of the daintier coloratura aside, fits Sonya Yoncheva like a glove. 
*****
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