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Handel in the British Raj: Harry Kupfer returns to Komische Oper
Loyalty and misdeeds in the jungle of emotions in Handel's Poro, re dell'Indie.
Voltaire à la Kosky: a magical Candide at Komische Oper
Serious farce, warm-hearted sarcasm, operatic Broadway: Barrie Kosky and Komische Oper turn Bernstein's problem child into a show that thrills from start to finish.
Pelléas et Mélisande: Kosky's sleep-talking, nightmare
There’s no doubt that Mélisande endeavours to escape past troubles when she first appears in Barrie Kosky’s production of Debussy’s opera, yet Nadja Mchantaf is no reticent, wispy maiden. Every vocal and physical gesture – always precise and penetrating – displays an atypically forthright quest for vitality, something that Arkel’s chauvinistic world does not readily offer.
A dark and brooding Pelléas et Mélisande at the Komische Oper
Introspected and atmospheric, this late romantic opera appeals to the psychotherapists within us.
Confronting the millennial generation at Komische Oper
Before the beginning of each opera, an announcement is made reminding the audience not to film, photograph, tweet, post, google, snapchat... Komische Oper Berlin premieres a hilarious Barber of Seville where the singers do nothing but just that.
A tale of three Hoffmanns at the Komische Oper
Barrie Kosky, with nods to the surreal and the macabre, plunges us headlong into Hoffmann’s nightmarish world in a terrific new production at the Komische Oper.
