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A dark and disturbing Rigoletto from WNO at the Mayflower
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Fine performances in a punchy new production that coats this tragic opera in a large dollop of debauchery.
Joélle Harvey is outstanding in Glyndebourne's incendiary Semele
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Adele Thomas makes a good case for Semele's operatic credentials in her production which makes effective nods towards Baroque opera’s devotion to spectacle.
Barton’s Azucena drags Trovatore from the flames
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Adele Thomas’ Royal Opera staging channels the Marx Brothers in playing it for laughs, but the musical compensations are many under Sir Antonio Pappano.