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LondonThe OAE Plays Mozart and Haydn

Zelenka, Mozart, Haydn
Orchestra of the Age of Enlightenment; Peter Whelan; Erin Morley; Helen Charlston; Guy Cutting; William Thomas
VeronaCarmina Burana

Orff: Carmina Burana
Arena di Verona Orchestra; James Conlon; Arena di Verona Chorus; Erin Morley; Carlo Vistoli; Mihai Damian
NaplesAlcinaConcert performance

Handel: Alcina
Iván López Reynoso; Teatro di San Carlo; Orchestra del Teatro di San Carlo; Lisette Oropesa; Franco Fagioli; Erin Morley
ViennaLa Fille du régiment

Donizetti: La Fille du régiment
Laurent Pelly; Vienna State Opera; Chantal Thomas; Joël Adam; Orchestra of the Vienna State Opera
ChicagoHaydn's The Creation

Haydn: The Creation (Die Schöpfung), Hob XXI:2
Chicago Lyric Opera Orchestra; Michael Black; Erin Morley; David Portillo; Michael Sumuel; Chicago Lyric Opera Chorus
ChicagoAriadne auf Naxos

Strauss R.: Ariadne auf Naxos
Oksana Lyniv; John Cox; Lyric Opera of Chicago; Robert Perdziola; Duane Schuler; Chicago Lyric Opera Orchestra
Latest reviewsSee more...
Bernheim heads a powerhouse cast in the Met’s Hoffmann revival

After a heavily promoted but underwhelming opening night, the company gets the new season back on track with plenty of star power in Offenbach’s final masterpiece.
Stutzmann and the Philadelphia Orchestra at Carnegie Hall

In her final Carnegie Hall appearance as principal guest conductor of the Philadelphia Orchestra, the French conductor leads Schumann’s Fourth Symphony and Mozart’s Requiem.
Langrée pairs ambitious premiere with uneven Mass at Mostly Mozart

The world premiere of Iraqi-American composer Amir ElSaffar's ambitious Dhikra (Remembrance) very nearly succeeds in its ambitions.
An entertaining but uneven Carmina Burana at Tanglewood

Andris Nelsons highlights the spirited wit of Orff's orchestration, but inconsistent singing from soloists and chorus leaves something to be desired.
Riccardo Muti concludes Chicago tenure with a divine Missa solemnis

Riccardo Muti selects Beethoven’s daunting Missa solemnis for his final performance as Music Director of the Chicago Symphony, a performance that proves worthy of his remarkable tenure.
Simon McBurney’s richly inventive Zauberflöte arrives at the Met

With a stellar cast and fine orchestral playing, Mozart’s enigmatic fairy tale takes on a darker, more grown-up tone in its first new Metropolitan Opera staging in 19 years.
