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BerlinKing Roger
Szymanowski: King Roger, (Król Roger) Op.46
James Gaffigan; Evgeny Titov; Komische Oper Berlin; Xin Tan; Paul Zoller; Annemarie Woods; Sebastian Alphons
LondonParsifalNew production
Wagner: Parsifal
Jakub Hrůša; Evgeny Titov; The Royal Opera; Étienne Pluss; Esther Bialas; DM Wood; Orchestra of the Royal Opera House Covent Garden
ViennaPique DameNew production
Tchaikovsky: The Queen of Spades (Pique Dame)
Alexander Soddy; Evgeny Titov; Vienna State Opera; Rufus Didwiszus; Emma Ryott; Martin Gebhardt; Orchestra of the Vienna State Opera
AmsterdamIolantaNew production
Tchaikovsky: Iolanta
Kwamé Ryan; Evgeny Titov; Dutch National Opera; Rufus Didwiszus; Annemarie Woods; Martin Gebhardt; Rotterdam Philharmonic Orchestra
Latest reviewsSee more...
Masks and obsessions: Evgeny Titov’s Salome at Komische Oper Berlin
Salome is faceless and the Dance of the Seven Veils becomes a sardonic commentary on seduction in Komische Oper Berlin's austere new staging.
All play and no work: an exuberant Figaro in Munich
Evgeny Titov's new production is heavy on the jokes and light in substance, but delights anyway thanks to its high-class cast.
Lessons in Love and Violence: gorgeous tragedy without a heart
Given a new production by Evgeny Titov, Benjamin's second full-length opera is musically brilliant, but its examination of our inner darkness lacks heart.
Sophocles as contemporary as ever as Œdipe opens at Komische Oper
Leigh Melrose appears in a strong new Œdipe directed by Evgeny Titov to open the 2021-22 season at the Komische Oper.
La Lucie superlative de Sabine Devieilhe à l'Opéra-Comique
Présentée pour la première fois à Paris depuis 2002, la version française de l'opéra de Donizetti bénéficie d'une exceptionnelle Sabine Devieilhe dans le rôle-titre. Le point noir est la mise en scène d'Evgeny Titov.
Wozzeck im Albtraum-Wald an der Oper Graz
Musikalisch packend und optisch stark wird Alban Bergs Werk zum echten Publikumshit.
Latest articles
Taking another fearless leap: Sonya Yoncheva
“I don't fear anything!” Sonya Yoncheva discusses her career, from leaping from the Castel Sant’Angelo as Tosca to preparing a new Iolanta in Vienna, and setting up her own production company.