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Performer: Florian Boesch

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LondonFlorian Boesch, Malcolm Martineau

Wigmore Hall
Loewe, Mahler
Florian Boesch; Malcolm Martineau

ParisLe Messie

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Handel: Messiah
Jean-Christophe Spinosi; Nina Spinosi; Rémy Brès-Feuillet; Gaël Lefevre; Florian Boesch

BrugesCollegium Vocale Gent

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Bach: St Matthew Passion, BWV244
Orchestra of Collegium Vocale Gent; Philippe Herreweghe; Collegium Vocale Gent; Mauro Peter; Florian Boesch; Marie-Luise Werneburg

ViennaEine floren­tinische Tragödie / Herzog Blaubarts BurgNew production

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Zemlinsky, Bartók
Alain Altinoglu; Vasily Barkhatov; Vienna State Opera; Christian Schmidt; Stefanie Seitz; Alexander Sivaev; Orchestra of the Vienna State Opera

AmsterdamJohannes-Passion

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Bach: St John Passion, BWV245
Leonardo García-Alarcón; Sasha Waltz; Dutch National Opera; Heike Schuppelius; Bernd Skodzig; David Finn; Netherlands Bach Society Orchestra
Latest reviewsSee more...

Semele at Dutch National Opera: myth, desire and fantasy

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Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

****1
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Love's loss lamented: Boesch and Martineau in Edinburgh

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A traditional Lieder programme at the Edinburgh International Festival brings songs concerned with love, celebrating its joys but more often lamenting its loss and its pains. 
****1
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Winging its way to heaven: Schumann's muse soars aloft at the Proms

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A Schumann premiere at the BBC Proms, revived with loving care by Sir Simon Rattle and the LSO. 
****1
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Let the river answer: Die schöne Müllerin reinvented in Berlin

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After an idea of baritone Florian Boesch and director Nikolaus Habjan, the Musicbanda Franui recomposes Schubert for a staged performance at Berlin's Staatsoper, opening up new perspectives into the interpretation of the well-known song cycle.
*****
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Rattle and the LSO in commanding form for Szymanowski and Brahms

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Contemplation and reflection should ideally form a counterpoint to jollity and merry-making in the festive season: an object-lesson from Sir Simon Rattle and his supporting forces.
****1
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Great music but balance off-kilter: the LSO tackle Weill

Problems of balance bedevilled a fine programme of some of Weill's most bitter, ironical works which improved substantially after the interval.
***11
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