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ParisLe Messie
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Handel: Messiah
Jean-Christophe Spinosi; Nina Spinosi; Rémy Brès-Feuillet; Gaël Lefevre; Florian Boesch
BrugesCollegium Vocale Gent
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Bach: St Matthew Passion, BWV244
Orchestra of Collegium Vocale Gent; Philippe Herreweghe; Collegium Vocale Gent; Mauro Peter; Florian Boesch; Marie-Luise Werneburg
ViennaEine florentinische Tragödie / Herzog Blaubarts BurgNew production

Zemlinsky, Bartók
Alain Altinoglu; Vasily Barkhatov; Vienna State Opera; Christian Schmidt; Stefanie Seitz; Alexander Sivaev; Orchestra of the Vienna State Opera
AmsterdamJohannes-Passion

Bach: St John Passion, BWV245
Leonardo García-Alarcón; Sasha Waltz; Dutch National Opera; Heike Schuppelius; Bernd Skodzig; David Finn; Netherlands Bach Society Orchestra
Latest reviewsSee more...
Semele at Dutch National Opera: myth, desire and fantasy
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Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.
Love's loss lamented: Boesch and Martineau in Edinburgh
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A traditional Lieder programme at the Edinburgh International Festival brings songs concerned with love, celebrating its joys but more often lamenting its loss and its pains.
Winging its way to heaven: Schumann's muse soars aloft at the Proms
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A Schumann premiere at the BBC Proms, revived with loving care by Sir Simon Rattle and the LSO.
Let the river answer: Die schöne Müllerin reinvented in Berlin
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After an idea of baritone Florian Boesch and director Nikolaus Habjan, the Musicbanda Franui recomposes Schubert for a staged performance at Berlin's Staatsoper, opening up new perspectives into the interpretation of the well-known song cycle.
Rattle and the LSO in commanding form for Szymanowski and Brahms
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Contemplation and reflection should ideally form a counterpoint to jollity and merry-making in the festive season: an object-lesson from Sir Simon Rattle and his supporting forces.
Great music but balance off-kilter: the LSO tackle Weill
Problems of balance bedevilled a fine programme of some of Weill's most bitter, ironical works which improved substantially after the interval.

