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Performer: Giacomo Sagripanti

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MoscowUn Ballo in Maschera

Verdi: Un ballo in maschera
Giacomo Sagripanti; Davide Livermore; Bolshoi Opera; Mariana Fracasso; Alessandra Premoli; Antonio Castro

ViennaLa traviataNew production

Verdi: La traviata
Giacomo Sagripanti; Simon Stone; Vienna State Opera; Robert Cousins; Alice Babidge; Pretty Yende; Frédéric Antoun

ParisTosca

Puccini: Tosca
Giacomo Sagripanti; Pierre Audi; Opéra national de Paris; Dan Ettinger; Christof Hetzer; Robby Duiveman; Aleksandra Kurzak
Latest reviewsSee more...

Costa-Jackson's sultry Carmen in Seattle

Ginger Costa-Jackson (Carmen) © Sunny Martini
Good-time girl, hometown sweetheart, torn-apart lover, smugglers and rivals, familiar songs, a cliffhanger of a tale. 
*****
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Ricciardo e Zoraide: Orientalism at the Rossini Opera Festival

Juan Diego Flórez (Ricciardo) and Pretty Yende (Zoraide) © Studio Amatio Bacciardi
A stellar cast and a new, old-fashioned production bring back Ricciardo e Zoraide to Pesaro after 22 years.
****1
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Journey to nowhere: Il viaggio a Reims at the Deutsche Oper

Il viaggio a Reims © Thomas Aurin
The Deutsche Oper's production of Rossini's sparkling occasion piece is big on gags but short on stardust.
***11
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Rachvelishvili triumphs as Azucena in Berlin

Angela Meade (Leonora) and Annika Schlicht (Ines) © Bettina Stöß
In a dated production by Hans Neuenfels, conductor Giacomo Sagripanti leads a musically successful Trovatore, where Angela Meade and Anita Rachvelishvili show their vocal brilliance.
****1
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A simply staged Rossinian rarity in Barcelona

Il viaggio a Reims at the Liceu © A. Bofill
Emilio Sagi’s brightly lit but simplistic staging of Il viaggio a Reims moves the action from northern France to a sunny spa hotel in warmer climes.
***11
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Buffa as blood sport: Glyndebourne's Don Pasquale

Renato Girolami (Don Pasquale) and Chorus © Bill Cooper | Glyndebourne Opera
Lisette Oropesa gives a coloratura star turn; Renato Girolami and Andrey Zhilikhovsky give the buffo patter; Mariame Clément's staging focuses on the work’s dark side.
***11
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