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Performer: Ida Aldrian

Upcoming eventsSee more...

HamburgLa Cenerentola

Rossini: La Cenerentola (Cinderella)
Christian Günther; Renaud Doucet; Hamburg State Opera; André Barbe; Xabier Anduaga; Kartal Karagedik

HamburgFalstaffNew production

Verdi: Falstaff
Axel Kober; Calixto Bieito; Hamburg State Opera; Susanne Gschwender; Anja Rabes; Ambrogio Maestri; Maija Kovalevska

HamburgLa traviata

Verdi: La traviata
Giampaolo Bisanti; Johannes Erath; Hamburg State Opera; Annette Kurz; Herbert Murauer; Christina Poulitsi; Liparit Avetisyan

HamburgDie Zauberflöte

Mozart: Die Zauberflöte (The Magic Flute)
Volker Krafft; Jette Steckel; Hamburg State Opera; Florian Lösche; Pauline Hüners; Oleksiy Palchykov; Katharina Konradi

HamburgCarmen

Bizet: Carmen
Nicolas André; Jens-Daniel Herzog; Hamburg State Opera; Mathis Neidhardt; Anaïk Morel; Sabina Bisholt
Latest reviewsSee more...

Are they all like that? Staatsoper Hamburg's new Così

Maria Bengtsson Fiordiligi) and Ida Aldrian (Dorabella) © Jörn Kipping
Hamburg State Opera launches its new season with a visually overpowering but musically satisfying Così fan tutte.
****1
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Peter Konwitschny's Boris Godunov in Nuremberg

Nicolai Karnolsky (Boris Godunov) and Ida Aldrian (Feodor) © Ludwig Olah
Peter Konwistchny scores audience success with his new production of Boris Godunov, a theatrically inventive critical take on manipulation and the disfiguring effects of power.
*****
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A One-Per-Part St Matthew Passion in Vienna

Joshua Rifkin’s theory that Bach had no ‘choir’ in the modern sense may have gradually inched its way towards acceptance, but for all the heated discussion his research has generated, one-per-part Passions are rarer than one might suppose.
****1
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Fulminante Aufführungen von Zimmermann und Mahler in Nürnberg

Marcus Bosch © Cristopher Civitillo
Marcus Bosch verabschiedete sich als Leiter der Staatsphilharmonie Nürnberg mit überzeugenden Interpretationen von Zimmermanns Musik zu Ubu Roi und Mahlers Zweiter Symphonie.
*****
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Rossinis Barbier als quirlige Ensembleleistung in Nürnberg

Martin Platz (Graf Almaviva), Herrenchor © Jutta Missbach
Wie im Geldscheinregen eine Gesellschaft mit ihren Gefühlen umgeht: Josef Köpplingers neue Inszenierung von Rossinis Barbiere di Siviglia hat das Zeug zum Renner im Repertoire der Nürnberger Oper
****1
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