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Grotesque and gripping: Opera Ballet Vlaanderen unveils a new Salome
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Not a great day for the patriarchy: Ersan Mondtag's gripping new Salome emphasises grotesque caricatures and ends with a bloody, plot-twisting coup d’état.
Make feminism, not love: The Maid of Orleans at TAW
It is all very easy on the eyes, although pondering what it is all supposed to mean is a recipe for a migraine.
A staged Messiah that sheds little light on Handel's oratorio
Netia Jones is a visionary stage practitioner, but this show is a rare misjudgement.