Performer: Israel Philharmonic Orchestra

The Israel Philharmonic’s debut at Hamburg’s Elbphilharmonie showcases Lahav Shani’s elegant precision, Martin Fröst’s vivid virtuosity and Paul Ben-Haim’s rare symphonic voice, culminating in radiant musical unity.

From Bernstein’s private elegy to Tchaikovsky’s tempered affirmation, the Israel Philharmonic offers an evening of reflection, discipline and quiet radiance.

After a three-years hiatus, the orchestra returns to New York, with violinist Gil Shaham playing Tchaikovsky's Violin Concerto before an assured Prokofiev Fifth Symphony.

One of the great performances of a concerto which gets so many performances.

Jan Lisiecki's leap-in with the Israel Philharmonic offers extra spontaneity in Beethoven's Fourth Piano Concerto. 

In a work as complex and multifaceted as Mahler’s Third, plumbing the depths of the music is not a trivial task. Mehta and his orchestra shone in moments but not uniformly across the symphony.

The Philharmonie de Paris has responded, condemning the actions in the strongest terms, after audience members set off smoke bombs during Thursday's concert.

In 2018 Israeli conductor and pianist Lahav Shani was appointed chief conductor of the Rotterdam Philharmonic at the age of 27. He discusses the orchestra’s musical adaptability, precision, and ability to dig deep.