Performer: Jean-Christophe Maillot

Thirty years on, Maillot’s reading of Shakespeare retains a certain timelessness, not least for its refreshing refusal to depict the action literally. Les Ballets de Monte-Carlo dance it supremely well.

Les Ballets de Monte-Carlo managed to throw a thrilling surprise party, with every detail curated under the sign of Diaghilev and the Ballets Russes, to celebrate the 40th anniversary of the company.

A deeply psychological version of the fairytale, Jean-Christophe Maillot's Cendrillon provides ample opportunities for the whole cast to delve into their characters and rise to the technical challenges.

Ballet Nights is an ambitious dance project that began two and a half years ago and was the brainchild of founder, Jamiel Devernay-Laurence. Lots to applaud while celebrating its tenth programme.

Splendid and impeccable, endowed with striking virtuosity, the corps de ballet functions both as choir and living scenography, accompanying and sustaining the protagonists. Ma Bayadère in Monte-Carlo is spectacular.

After a more traditional direction from the new leadership of Ballett am Rhein in their season opener, new programme Kaleidoskop is a mixed selection that sees a fusion of contemporary and neoclassical choreography. 

With many new full-length dance works to look out for in the new season, we preview several anticipated new creations from leading choreographers – including a number with newly commissioned scores.