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Clémentine Margaine's Carmen seduces in Naples
The staging highlighted Carmen’s rebellious traits more than her sensual exoticism.
Macerata's gloomy Otello
Roberto Frontali is a stern, chillingly immobile Iago, armed with a brassy voice and a cleanness of diction that sees him carve Boito's text with surgical precision.
Jesting aside: La Scala revives Giordano's La cena delle beffe
A revival of a verismo rarity: Umberto Giordano's La cene delle beffe at La Scala.
