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Performer: Joana Mallwitz

Upcoming eventsSee more...

Munich5. Akademiekonzert

5. Akademiekonzert
Schubert, Liszt, Mahler
Bayerisches Staatsorchester; Joana Mallwitz; Igor Levit

MunichL'elisir d'amore

L'elisir d'amore
Donizetti: L'elisir d'amore
Joana Mallwitz; David Bösch; Bavarian State Opera; Patrick Bannwart; Falko Herold; Aida Garifullina; Pavol Breslik

Frankfurt am MainSalomeNew production

Strauss R.: Salome
Joana Mallwitz; Barrie Kosky; Oper Frankfurt; Katrin Lea Tag; Ambur Braid; Christopher Maltman

Stuttgart5. Sinfoniekonzert

Messiaen, Prokofiev, Stravinsky
Staatsorchester Stuttgart; Joana Mallwitz; Alina Pogostkina

NurembergPeter GrimesNew production

Britten: Peter Grimes
Joana Mallwitz; Tilman Knabe; Staatstheater Nürnberg; Guido Johannes Rumstadt; Annika Haller; Eva-Mareike Uhlig; Peter Marsh
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History today: War and Peace at Staatstheater Nürnberg

Zurab Zurabishvili (Pierre Bezukhov) © Ludwig Olah
Nuremberg's opera house launches a new directorial era with an impressive staging of Prokofiev's adaptation of Tolstoy's great novel that incapsulates 200 years of Russian history.
****1
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Kolesnikov proves a golden substitute in Birmingham

Pavel Kolesnikov © Eva Vermandel
After star pianist Gabriela Montero unfortunately withdrew due to injury, the young Russian Pavel Kolesnikov stepped forward with inspired conductor Joana Wallmitz to save the day.
*****
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Perfect Pelléas: Debussy's opera seduces in Frankfurt

Gaëlle Arquez (Mélisande) and Björn Bürger (Pelléas) © Barbara Aumüller
Debussy's Pelléas et Mélisande is beautifully realised in Claus Guth's now classic production, revived with a new cast of principals at Oper Frankfurt.
*****
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20 Jahre Einsamkeit: Faurés Pénélope an der Oper Frankfurt

Joanna Motulewicz (Euryclée), Paula Murrihy (Pénélope) und Eric Laporte (Ulysse)
Mit Faurés Pénélope bringt die Oper Frankfurt erneut eine Rarität und unterschätzte Oper in ihren Spielplan.
****1
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Ausdrucksstark und zeitlos: Ensemble begeistert im neuen Don Carlos

Tadeusz Szlenkier (Don Carlos) © Ludwig Olah
Jens-Daniel Herzogs Regiekonzept am Staatstheater Nürnberg leistet nicht durchgängig interpretatorischen Mehrwert.
****1
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