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Performer: José Antonio López

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AmsterdamTorri's oratorio La vanità del mondo

© Marco Borggreve
Torri: La vanità del mondo
La Cetra Baroque Orchestra; Andrea Marcon; Margriet Buchbecher; Benedetta Mazzucato; David DQ Lee; José Antonio López

MadridCiclo sinfónico: Parménides y la luz

Ciclo sinfónico: Parménides y la luz
Sánchez-Verdú, Walton
Orquesta Nacional de España; Miguel Harth-Bedoya; José Antonio López; Coro Nacional de España

MadridLear

Lear
Reimann: Lear
Simone Young; Calixto Bieito; Teatro Real; Rebecca Ringst; Ingo Krügler; Bo Skovhus; Angeles Blancas

AvilesTelemann desconocido

Telemann desconocido
Telemann: Der Tag des Gerichts (The Day of Judgment)
Orquesta Sinfónica del Principado de Asturias; María Espada; Federica Carnevale; Juan Antonio Sanabria; José Antonio López

OviedoTelemann desconocido

Telemann desconocido
Telemann: Der Tag des Gerichts (The Day of Judgment)
Orquesta Sinfónica del Principado de Asturias; María Espada; Federica Carnevale; Juan Antonio Sanabria; José Antonio López
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The BBC Philharmonic say adiós to Mena

Juanjo Mena © Michal Novak
In the climax of the season at Bridgewater Hall, the BBC Philharmonic bid a fond farewell to Juanjo Mena in an evening that blew off your sombrero. 
*****
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Bringing Spanish heat to an operatic double-bill

María Toledo in El amor brujo © BBC | Mark Allan
It's a rare treat to hear Spanish opera in London; Josep Pons and the BBC SO made a worthy case for hearing Falla’s El amor brujo and Granados’ Goyescas more often.
***11
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Opera under the sand: captivating El Público

Mauricio Sotelo's world première based on El Público, a fascinating surrealist play by Federico García Lorca, mixed flamenco and tragedy to achieve a great night of opera. 
*****
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A One-Per-Part St Matthew Passion in Vienna

Joshua Rifkin’s theory that Bach had no ‘choir’ in the modern sense may have gradually inched its way towards acceptance, but for all the heated discussion his research has generated, one-per-part Passions are rarer than one might suppose.
****1
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Reabrir la herida: Poulenc y Stravinsky con Josep Pons y la OCNE

© Rafa Martín | Orquesta y Coro Nacionales de España
Una tarde que nos dio que pensar sobre el destino de los héroes y la insondabilidad de los oráculos: reabrir la herida sobre lo humano, demasiado humano.
****1
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