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Performer: Karin Lovelius

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LeipzigDer fliegende Holländer

Der fliegende Holländer
Wagner: Der fliegende Holländer (The Flying Dutchman)
Ulf Schirmer; Michiel Dijkema; Oper Leipzig; Christoph Gedschold; Jula Reindell; Iain Paterson

LeipzigHänsel und Gretel

© Kirsten Nijhof
Humperdinck: Hänsel und Gretel
Ulf Schirmer; Birgit Eckenweber; Oper Leipzig; Matthias Foremny; Christoph Gedschold; Alexander J Mudlagk

LeipzigRusalka

© Kirsten Nijhof
Dvořák: Rusalka
Christoph Gedschold; Michiel Dijkema; Oper Leipzig; Jula Reindell; Magdalena Hinterdobler; Gal James

LeipzigDas Rheingold

© Tom Schulze
Wagner: Das Rheingold
Ulf Schirmer; Rosamund Gilmore; Oper Leipzig; Carl-Friedrich Oberle; Nicola Reichert; Iain Paterson; Tuomas Pursio

LeipzigDie Walküre

© Tom Schulze
Wagner: Die Walküre
Ulf Schirmer; Rosamund Gilmore; Oper Leipzig; Carl-Friedrich Oberle; Nicola Reichert; Robert Dean Smith; Randall Jakobsh
Latest reviewsSee more...

Leipzig's Ring Cycle concludes with a satisfying Götterdämmerung

The piano becomes Siegfried's funeral berth © Tom Schulze
Despite some weakness in the main singers, the overall level of musical performances was consistently high in Leipzig, with a stark and effective production.
****1
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Humorous Das Rheingold in Leipzig

Stephan Klemm (Fasolt), James Moelenhoff Fafner), Sandra Trattnigg (Freia), Karin Lovelius Fricka) © Tom Schulze
Oper Leipzig's Das Rheingold unfolds with no set changes, giving Wagner's music plenty of opportunities to fuel the imagination.
***11
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An outstanding debut in new Leipzig Salome

Elisabet Strid (Salome) © Kirsten Nijhof
In a state of almost child-like transfiguration and fulfilment, Strid's voice fully encompassed the extremes of the last scene.
****1
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Faszination des weiblichen Wahnsinns: Salome an der Oper Leipzig

Elisabet Strid (Salome) © Kirsten Nijhof
Elisabet Strid schockiert, verzaubert und begeistert als Salome. Wahnsinn in all seinen Formen!
****1
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Ein herrlich lustvoller Rosenkavalier in Leipzig

Wallis Giunta (Octavian) und Olena Tokar (Sophie) © Ida Zenna
Richard Strauss' Komödie wird in Leipzig im besten Sinn klassisch und doch herrlich lustvoll und ohne umdeutende Modernisierung wieder aufgenommen.
****1
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