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Falling for Kyle Abraham, again, at New York City Ballet
When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.
NYCB's program of contrasts makes a full-course meal
A wonderfully varied triple bill for NYCB allowing the company to shine across all ranks.
Mira Nadon's Monumentum pro Gesualdo and Movements stuns
It was a remarkable performance and (unusual for Monumentum pro Gesualdo and Movements for Piano and Orchestra) led to a loud, prolonged ovation at the curtain call.
Ratmansky’s Solitude illuminates wartime tragedy
Alexei Ratmansky’s poignant and gripping new work breaks ground at New York City Ballet in a powerful triple bill.
New York City Ballet Goes Four for Four
One minor Balanchine, elevated by commanding performances; a rare Albert Evans; Peter Martins at his most compelling and Jerome Robbins at his funniest.
New York City Ballet nods to Jerome Robbins as winter season opens
Some great and some lacklustre performances in the Jerome Robbins triple bill on opening night of New York City Ballet's winter season – and a missed opportunity.