Falling for Kyle Abraham, again, at New York City Ballet

Indiana Woodward and Taylor Stanley in Kyle Abraham's When We Fell

Tiler Peck and Roman Mejia in George Balanchine's Divertimento from “Le Baiser de la Fée”

Andrew Veyette in Lynne Taylor-Corbett's Chiaroscuro

Megan Fairchild and Daniel Ulbricht in Alexei Ratmansky's Odesa

By Carla Escoda, 19 May 2025

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“tempered by casual gestures, like a swirl of the arm around the waist suggesting plumage or a cape”

Reviewed at Lincoln Center: David H Koch Theater, New York City on 16 May 2025

Divertimento from Le Baiser de la Fée (George Balanchine)

When We Fell (Kyle Abraham)

Chiaroscuro (Lynne Taylor-Corbett)

Odesa (Alexei Ratmansky)

New York City Ballet

New York City Ballet Orchestra

Indiana Woodward, Dancer

Jules Mabie, Dancer

Taylor Stanley, Dancer

KJ Takahashi, Dancer

David Gabriel, Dancer

India Bradley, Dancer

Sebastián Villarini-Vélez, Dancer

Roman Mejia, Dancer

Tiler Peck, Dancer

Andrew Veyette, Dancer

Preston Chamblee, Dancer

Ashley Laracey, Dancer

Daniel Ulbricht, Dancer

Brittany Pollack, Dancer

Joseph Gordon, Dancer

Megan Fairchild, Dancer

Sara Mearns, Dancer

Tyler Angle, Dancer

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

Study in Scarlet: Rubies crown Balanchine’s Jewels in Vienna

Mark Pullinger, 8th February

With a trio of excellent performances, Balanchine's sassy Rubies proves the hit as Jewels – a relatively recent acquisition – returns to the Wiener Staatsballett.

****1

More reviews...

Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.