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AmsterdamKorngold's opera Die tote Stadt rediscovered
Korngold: Die tote Stadt (The Dead City)
Netherlands Radio Philharmonic Orchestra (Radio Filharmonisch Orkest); Oksana Lyniv; Netherlands Radio Choir (Groot Omroepkoor); Netherlands National Children's Choir; Benjamin Bruns; Johanni van Oostrum
OxfordSongs Of Travel
Schumann, Vaughan Williams, Mandyczewski, Brahms
Konstantin Krimmel; Ammiel Bushakevitz
SevilleSt. Matthew Passion
Bach: St Matthew Passion, BWV244
Akademie für Alte Musik Berlin; Justin Doyle; RIAS Kammerchor Berlin; Núria Rial; Anna Lucia Richter; Guy Cutting
AmsterdamRomantic Songs by a Master Storyteller
Schumann, Vaughan Williams, Brahms, Mandyczewski
Konstantin Krimmel; Ammiel Bushakevitz
MunichLa Cenerentola
Rossini: La Cenerentola (Cinderella)
TBC; Jean-Pierre Ponnelle; Bavarian State Opera; Bayerisches Staatsorchester; Bayerischer Staatsopernchor
Latest reviewsSee more...
Animated emotion: a gripping end of term Winterreise at Wigmore Hall
Konstantin Krimmel and Ammiel Bushakevitz deliver a tense and emotional account of Schubert's late masterpiece to mark the end of Wigmore Hall's season.
Krimmel and Bushakevitz’s Schwanengesang a revelation at 92Y
A traversal at The 92nd Street Y, New York, shaped by nuance, insight and a rare shared intuition.
Everlasting Everding: another beautiful Munich Zauberflöte revival
August Everding’s Magic Flute is revived in Munich with a solid cast for the enjoyment of all ages.
All play and no work: an exuberant Figaro in Munich
Evgeny Titov's new production is heavy on the jokes and light in substance, but delights anyway thanks to its high-class cast.
Dangerous Liaisons and Magic Horns close Oxford Lieder
The final day of Oxford Lieder's 80-event festival was framed by two recitals taking us from the world of German folklore andDes Knaben Wunderhorn, to the pain and drama of romantic entanglements.
Così fan tutte am Verbier Festival: Liebesexperiment ohne Deutung
Zum 20-Jahr-Jubiläum des Verbier Festival Chamber Orchestra brachte dessen Leiter Gábor Takács-Nagy nun auch die dritte von Mozarts Da-Ponte-Opern auf die Bühne. Der musikalisch gelungenen Aufführung fehlte allerdings ein Regisseur.
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ParisRequiem de Fauré au Panthéon
Beethoven, Fauré
Orchestre de chambre de Paris; Thomas Hengelbrock; Katharina Konradi; Konstantin Krimmel; Balthasar-Neumann-Chor