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Performer: Krystian Adam

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Boulogne-BillancourtSt Matthew Passion

Insula Orchestra / Accentus
Bach: St Matthew Passion, BWV244
James Gilchrist; Yannick Debus; Robin Johannsen; Sophie Harmsen

BarcelonaIl trionfo del tempo e del disingannoConcert performance

© Sergi Panizo
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a
Giovanni Antonini; Gran Teatre del Liceu; Il Giardino Armonico; Anett Fritsch; Julia Lezhneva; Lucile Richardot

MadridSinfónico 15 - Orquesta y Coro Nacionales de España

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Mozart, Haydn
Orquesta Nacional de España; Giovanni Antonini; Coro Nacional de España; Julia Lezhneva; Svetlina Stoyanova; Krystian Adam
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L’Orfeo, the world’s first great opera, premieres at Glyndebourne

Krystian Adam (Orfeo) and ensemble © Glyndebourne Productions Ltd | Photo: Richard Hubert Smith
One element of the Orpheus myth is about creativity, so at Glyndebourne, William Kentridge sets Monteverdi’s opera in an artist's studio, 
****1
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Mozart's Il re pastore enchants Rome

Miriam Albano (Aminta) and Francesca Pia Vitale (Elisa) © Fabrizio Sansoni | Teatro dell’Opera di Roma
Cecilia Ligorio directs the first new production of Mozart's early opera at the Opera di Roma since 1988. 
****1
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Tales of woe: Zingarelli's Giulietta e Romeo at Versailles

Franco Fagioli (Romeo) and Adèle Charvet (Giulietta) © Ian Rice
Zingarelli's Giulietta e Romeo won the favour of no less than Napoleon I himself and a new production at the Opéra Royal offers an appropriately regal setting in which to see Gilles Rico's new production of this once famous opera.
****1
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McVicar’s Figaro scrubs up well at Covent Garden

Stéphane Degout (Almaviva) and Mattia Olivieri (Figaro) © ROH | Clive Barda
Joana Mallwitz makes her Royal Opera debut in the pit as Sir David McVicar returns to direct this revival of his much-loved 2006 show.
***11
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Scarlatti's Griselda at Martina Franca

A swan song of the early Baroque opera seria, Scarlatti's final opera flourishes at a festival that specialises in rarely performed works.
****1
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Petrenko and Berlin Philharmonic get to the heart of Weill

Kirill Petrenko launches the Berlin Philharmonic's “Golden Twenties” series with Kurt Weill's First Symphony and Stravinsky's Oedipus Rex.
****1
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