Bachtrack logo

Performer: Laurent Pelly

Live EventsSee more...

BarcelonaFalstaff

© Paco Amate
Verdi: Falstaff
Josep Pons; Laurent Pelly; Gran Teatre del Liceu; Barbara de Limburg; Joël Adam; Orquesta Sinfónica del Gran Teatre del Liceu

TokyoIl Turco in ItaliaNew production

© No credit
Rossini: Il turco in Italia
Alessandro Bonato; Laurent Pelly; New National Theatre; Chantal Thomas; Joël Adam; Tokyo Philharmonic Orchestra

GenevaLe Voyage à Reims (Il viaggio a Reims)New production

© GTG / Ronald Curchod
Rossini: Il viaggio a Reims
Jader Bignamini; Laurent Pelly; Grand Théâtre de Genève; Massimo Troncanetti; Marco Giusti; Orchestre de la Suisse Romande

ParisL'Élixir d'amour

© Émilie Brouchon - OnP
Donizetti: L'elisir d'amore
Evelino Pidò; Laurent Pelly; Opéra national de Paris; Chantal Thomas; Joël Adam; Orchestre de l'Opéra national de Paris

GenevaSmile !

La Cité Bleue
Blitzstein, Various, Poulenc, Baker, Satie, Sondheim, Chaminade, Weill, Chaplin, Monnot, Barbara, Kern
Laurent Pelly; Marco Giusti; Sabine Devieilhe; Pauline Buet

LondonLa Fille du régiment

Sara Blanch (Marie), Juan Diego Flórez (Tonio) and Paolo Bordogna (Sulpice) © RBO | Tristram Kenton
Donizetti: La Fille du régiment
Yves Abel; Laurent Pelly; The Royal Opera; Chantal Thomas; Joël Adam; Orchestra of the Royal Opera House Covent Garden
Latest reviewsSee more...

Royal Opera revival of La Fille du régiment delights with fresh fizz

Sara Blanch (Marie), Juan Diego Flórez (Tonio) and Paolo Bordogna (Sulpice) © RBO | Tristram Kenton
Sara Blanch's Covent Garden debut, together with Juan Diego Flórez on top form, lead a fizzing revival of La fille du régiment from Royal Opera.
****1
Read more

Laurent Pelly’s Falstaff passes the Naples test with flying colours

Luca Salsi (Falstaff) © Luciano Romano
The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice. 
*****
Read more

Pelly’s iconic Fille du régiment retains its charm at La Scala

Pietro Spagnoli (Sulpice) and Julie Fuchs (Marie) © Brescia e Amisano | Teatro alla Scala

Julie Fuchs and Juan Diego Flórez give life to the refreshing and funny take of Laurent Pelly’s classic production, under the baton of Evelino Pidò. 

****1
Read more

A forgotten meta-opera at La Scala: Gassmann’s L’opera seria

Julie Fuchs (Stonatrilla) and Josh Lovell (Ritornello) © Teatro alla Scala | Brescia e Amisano

Christophe Rousset leads a great cast and an even greater orchestra in Gassmann’s 1769 rarity in Laurent Pelly’s visually striking, but oddly subdued, take on a comedy that thrives on chaos. 

***11
Read more

Massenet’s Cendrillon goes to the ball at Opera Australia

Emily Edmonds (Cinderella) © Rhiannon Hopley
This abridged version of Massenet's Cendrillon was clearly chosen for a wide Sydney audience, succeeding as a popular offering in the Australian summer holiday season. 
****1
Read more

Bargain booze and questionable quackery: L'elisir d'amore at the ROH

Nadine Sierra (Adina) © ROH | Clive Barda
A triumphant house debut for Nadine Sierra in the latest revival of Laurent Pelly’s production of Donizetti's joyous village rom-com. 
****1
Read more
Watch VideoSee more...

ParisLa Fille du régiment

La Fille du régiment à l'Opéra Bastille © Elisa Haberer / Opéra national de Paris
Donizetti: La Fille du régiment
Evelino Pidò; Laurent Pelly; Opéra national de Paris; Chantal Thomas; Joël Adam; Orchestre de l'Opéra national de Paris

ParisPlatée

© Elisa Haberer | OnP
Rameau: Platée
Marc Minkowski; Laurent Pelly; Opéra national de Paris; Chantal Thomas; Joël Adam; Les Musiciens du Louvre

MadridThe Bartered BrideNew production

© Teatro Real
Smetana: The Bartered Bride (Prodaná nevěsta)
Gustavo Gimeno; Laurent Pelly; Teatro Real; Caroline Ginet; Orquesta Titular del Teatro Real; Coro Titular del Teatro Real
Latest articles

Serious about comedy, obsessed by music: Laurent Pelly

Laurent Pelly © Teatro Real | Javier del Real
Ahead of his new production of Rossini's Il turco in Italia in Madrid, the prolific opera director talks about how he approaches a production – “it always starts with the music” – and about how he creates comedy.