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GenevaPelléas et Mélisande
Debussy: Pelléas et Mélisande
Jonathan Nott; Damien Jalet; Grand Théâtre de Genève; Marina Abramović; Iris van Herpen; Urs Schönebaum; Sidi Larbi Cherkaoui
RomeThe Fiery Angel
Prokofiev: The Fiery Angel
Alejo Pérez; Emma Dante; Teatro dell'Opera di Roma; Carmine Maringola; Vanessa Sannino; Leigh Melrose; Ewa Vesin
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A hi-gloss Pelléas et Mélisande falls flat in Geneva
Heroes emerge in adversity, and there are sterling turns from Leigh Melrose as a pugilistic Golaud and from the venerable Arkel of Matthew Best.
Of art and genius: exceptional world premiere of Whiteley in Sydney
Opera Australia delivers a sensational new Elena Kats-Chernin opera about the immensely gifted and troubled Australian painter, Brett Whiteley.
Demonic obsessions in Prokofiev's The Fiery Angel in Rome
In Emma Dante's staging we are viewing an allegory of death as painted in the medieval frescoes of Italian cemeteries.
Perfect symbiosis of words and music in Fin de partie
György Kurtág’s long awaited opera Fin de partie gets a second run in Amsterdam after its La Scala premiere, with the same excellent cast, conductor and production team.
Quirky staging, superb singing: Ligeti’s Le Grand Macabre in Zurich
Ligeti's “anti-anti opera” opens in Zurich in a new production by Tatjana Gürbaca.
Beckett at La Scala: world première of Kurtág's Fin de partie
Never before has human impotence been so cruelly portrayed on stage.
