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Lisette Oropesa, soprano


Lisette Oropesa on Donizetti’s heroines

Lisette Oropesa © Jason Homa
In November, Lisette Oropesa made her Royal Opera debut, performing the title role in Lucia di Lammermoor. Here, she discusses her Donizetti roles along with casting problems and critics concerned with looks over voice. 
Lisette Oropesa (Lucia) in <i>Lucia di Lammermoor</i> © ROH | Stephen Cummiskey
Lisette Oropesa (Lucia) in Lucia di Lammermoor
© ROH | Stephen Cummiskey
© Jason Homa
© Jason Homa
May 2018
Evening performance
Matinee performance
Upcoming eventsSee more...

Los AngelesRigoletto

Verdi: Rigoletto
Matthew Aucoin; Mark Lamos; LA Opera; Michael Yeargan; Constance Hoffman; Leo Nucci; Ambrogio Maestri

MadridLucia di Lammermoor

Lucia di Lammermoor
Donizetti: Lucia di Lammermoor
Daniel Oren; David Alden; Teatro Real; Charles Edwards; Brigitte Reiffenstuel; Lisette Oropesa; Venera Gimadieva

BarcelonaRodelinda, regina de' Langobardi

Rodelinda, regina de' Langobardi
Handel: Rodelinda, regina de' Langobardi
Josep Pons; Claus Guth; Gran Teatre del Liceu; Christian Schmidt; Lisette Oropesa; Bejun Mehta

PesaroAdinaNew Production

Rossini: Adina
Diego Matheuz; Rosetta Cucchi; Tiziano Santi; Claudia Pernigotti; Lisette Oropesa; Levy Sekgapane
Latest reviewsSee more...

Lots of Gluck: LA Opera’s Orphée et Eurydice

Lisette Oropesa (Eurydice) © Ken Howard
With a potent cast and excellent dancing, this is a sophisticated take on Gluck's opera. 
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Devastating Lucia revival at Covent Garden

Rachael Lloyd (Alisa) and Lisette Oropesa (Lucia) © ROH | Stephen Cummiskey
Issues that cropped up in the first run of Mitchell's production have been ironed out. In the hands of a strong cast, a chilling interpretation of Donizetti's masterpiece.
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Buffa as blood sport: Glyndebourne's Don Pasquale

Renato Girolami (Don Pasquale) and Chorus © Bill Cooper | Glyndebourne Opera
Lisette Oropesa gives a coloratura star turn; Renato Girolami and Andrey Zhilikhovsky give the buffo patter; Mariame Clément's staging focuses on the work’s dark side.
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Rigoletto is mad but the singing is fine

Luca Salsi (Rigoletto) © Clärchen & Matthias Baus
Damiano Michieletto’s intriguing production of Rigoletto is set in a mental hospital, and sidelines emotion in favour of analysis. The singing, on the other hand, is heartfelt and exciting.
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