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Performer: Lorenzo Viotti

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AmsterdamDer Zwerg (The Dwarf)

Dutch National Opera (De Nationale Opera)
Zemlinsky: Der Zwerg (The Dwarf)
Lorenzo Viotti; Nanouk Leopold; Dutch National Opera; Leopold Emmen; Wojciech Dziedzic; James Farncombe; Olga Kulchynska

AmsterdamMissa in tempore belli

Haydn: Mass no. 10 in C major, "Paukenmesse” (In Time of War), Hob XXII:9 [Haydn]
Netherlands Philharmonic Orchestra; Lorenzo Viotti; Barbora Horáková; Chorus of Dutch National Opera

RomeLorenzo Viotti / Veronika Eberle

Fondazione Accademia Nazionale di Santa Cecilia
Strauss II, Korngold, Strauss R., Ravel
Orchestra dell'Accademia Nazionale di Santa Cecilia; Lorenzo Viotti; Veronika Eberle
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Gounod: Faust
Lorenzo Viotti; Tobias Kratzer; Opéra national de Paris; Rainer Sellmaier; Michael Bauer; Ermonela Jaho
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Die Csárdásfürstin in Zürich: acerbic wit and winning music

Kálmán's operetta brilliantly updated to the super-rich of today, with starry singing from Annette Dasch and Pavol Breslik.
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Viotti and Bronfman collaborate for exquisite performance in Montreal

Yefim Bronfman's performance of Mozart's Piano Concerto No. 24 highlighted Maestro Lorenzo Viotti's guest-conducting appearance with Montreal's Orchestre Symphonique.
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Lorenzo Viotti makes a strong impression in Cleveland Orchestra debut

Piano icon Yuja Wang was an often self-effacing yet effective soloist in Rachmaninov’s neglected Piano Concerto no. 4. Poulenc’s 1948 Sinfonietta received its first Cleveland Orchestra performance since its 1949 US premiere here.
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Pagliacci/Cavalleria Rusticana sets the bar high at DNO

Exceptional singing, an auspicious conducting debut and a staging that is both sophisticated and emotionally involving make this production an unequivocal winner.
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Lorenzo Viotti debuts with the Filarmonica della Scala

Viotti will return to La Scala to conduct Gounod's Roméo et Juliette in 2020. The programme this time round gave an indication of some of the positive qualities to expect. It also warned of some potential pitfalls.
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An operatic big hitter: Juan Diego Flórez

This was less a concert of two halves than one of two tenors: able to dramatise the music of Puccini and Verdi far more effectively than his earlier Mozart, Flórez came alive.
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