Performer: Magdalena Anna Hofmann

What do you get for the composer who made – and also kind of broke – everything? Arnold Schoenberg’s well-documented phobia of the number 13 aside, he could not have asked for a superior tribute in his 150th anniversary year.

After Jonathan Meese's Parsifal staging was rejected by Bayreuth, he channelled his frustrations into an "arch-Parsifal" which shoots the titular hero into space, with a musical re-imagining of Wagner’s score by Austrian composer Bernhard Lang.

This was a concert made in heaven. To hear Per Nørgård's Iris, one of a triptych of symphonic poems composed in the late 1960s, eerie and mysterious, and underlain by the influences of Sibelius and Nørgård's teacher and fellow-symphonist, Vagn Holmboe, would make a rich and rewarding enough occasion in itself.