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Performer: Mao Fujita

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AmsterdamKent Nagano conducts Dvořák’s Symphony No. 9 ‘From the New World’

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Purcell, Beethoven, Dvořák
Deutsches Symphonie-Orchester Berlin; Kent Nagano; Mao Fujita

Bad KissingenDeutsches Symphonie-Orchester Berlin

Kissinger Sommer
Purcell, Beethoven, Dvořák
Deutsches Symphonie-Orchester Berlin; Kent Nagano; Mao Fujita

TokyoMao Fujita / Gábor Takács-Nagy / Verbier Festival Chamber Orchestra

Suntory Hall, Suntory Foundation for the Arts
Beethoven
Verbier Festival Chamber Orchestra; Gábor Takács-Nagy; Mao Fujita

AmsterdamBeethoven's Fifth

Het Concertgebouw
Mayer, Mozart, Beethoven
Royal Concertgebouw Orchestra; Riccardo Minasi; Mao Fujita

MadridMao Fujita / Semyon Bychkov

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Smetana, Strauss R., Rachmaninov
Czech Philharmonic; Semyon Bychkov; Mao Fujita

AlicanteMao Fujita / Semyon Bychkov

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Smetana, Strauss R., Rachmaninov
Czech Philharmonic; Semyon Bychkov; Mao Fujita
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Mao Fujita takes the plunge into Romanticism at Wigmore Hall

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The Japanese pianist’s Mozart is highly regarded, but how would he fair in a programme ranging from Beethoven to Brahms, culminating in Liszt's greatest Wagnerian transcription?
****1
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Mao Fujita and Semyon Bychkov deliver a virtuoso pairing in Prague

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A daunting program of Strauss and Shostakovich showcases conductor Semyon Bychkov and the Czech Philharmonic at their very best.
*****
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Mao Fujita’s Mozart and Myung‑whun Chung’s Fantastique in Seoul

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An evening at the Seoul Arts Center in which clarity matters as much as volume and the most telling virtuosity comes from a refusal to grandstand.
****1
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Heavenly Mozart plus a cadenza world premiere from Mao Fujita

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In the second of his Mozart concerto appearances with the Philharmonia, Mao Fujita plays the heavenly Piano Concerto no. 25 in C major
*****
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Mao Fujita: weaving delicate sound tapestries at Carnegie Hall

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Mao Fujita demonstrates his technical prowess and poetic sensitivity in Carnegie Hall's 2024-2025 ‘Keyboard Virtuosos’ series. 
*****
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Czech Philharmonic's resounding Glagolitic Mass at the BBC Proms

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Jakub Hrůša and his Czech forces give an impressive account of a mass which with its ecclesiastical elements, yet pantheistic spirit and visceral energy points towards a more secular age.
****1
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