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BrusselsAriadne auf Naxos

Strauss R.: Ariadne auf Naxos
Ariane Matiakh; Mariusz Treliński; La Monnaie | De Munt; Fabien Lédé; Marek Adamski; Marc Heinz; La Monnaie Symphony Orchestra
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Heroes and Beasts: Die Frau ohne Schatten in Warsaw

The Polish National Opera's first staging of Strauss' massive fairy tale feels like a bold statement of intent.
Off-the-mark Iolanta, but a terrifying Bluebeard at the Met
Mariusz Treliński's double bill pairing returns to the Metropolitan Opera with fine performances from Sonya Yoncheva and Gerald Finley in the leads.
Trelinski's passionless Tristan und Isolde
Director Mariusz Treliński’s previous work at the Met, in conjunction with Boris Kudlicka’s sets and Bartek Macias’ videos, was a double bill of Tchaikovsky’s Iolanta and Bartók’s Bluebeard’s Castle.
From darkness to light and back again
The Met's première of Iolanta and Bluebeard's Castle, delayed by snow, opened with powerful singing and deeply effective staging. Iolanta showcased beautiful singing from the principals, while Bluebeard's Castle showed off brilliant playing by the Met Orchestra.
Shock Value: Mariusz Treliński's take on Salome
Polish director Mariusz Treliński puts a contemporary spin on Salome by retelling the story from a victim's point of view.
Le côté obscur de La Femme sans ombre à l’Opéra de Lyon

Pour la première fois représenté dans la capitale des Gaules, l'opéra virtuose de Richard Strauss bénéficie d'une extraordinaire interprétation musicale qui vient compenser les limites de la mise en scène.
