Performer: Margo Arsane

Top notch singing, judicious pruning and production which prioritises human drama over camp spectacle make for an illuminating take on Handel's most frequently staged opera.

Superb singing and skilful acting make a good case for Radamisto in a conceptually ambitious new production which, while not entirely successful, is well worth seeing. 

In the first of its opera productions this season, the Guildhall School of Music and Drama presented an interesting combination of Stravinsky's odd little comedy, Mavra and Tchaikovsky's tale of the blind princess, Iolanta.

Italian swagger and French farce combining to raise some much needed laughs despite the restrictions of a concert performance at Cadogan Hall.

Roxana Haines' Inszenierung mag zwar etwas bieder sein, aber sie ist ein stimmlicher Genuss.

Un Haendel tout aussi sensible que festif par le Concert de l’Hostel Dieu à l’Église Saint-Bonaventure.