Performer: Marius Petipa

There is nothing quite comparable to an Odette/Odile debut (unless you’re a basketball fanatic, that is!) in Swan Lake. Well worth watching, and noting, SunMi Park’s progression through ABT.

National Ballet of Japan’s revival of Sir Peter Wright’s Swan Lake showed the company in good form, especially among the unified corps de ballet Swans. 

National Ballet of Japan’s Raymonda is a gem in the repertoire, despite shortcomings in the plot. Lavish production designs, stunning classical choreography and excellent dancers makes this a ballet lover's heaven.

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

Norwegian National Ballet gives a marvellous rendition of Natalia Makarova's La Bayadère. Opening night in Oslo was a strong argument for its place in any season, displaying ballet escapism at its best.

José Martínez has envisioned a Don Quichotte that recalls the original 19th century choreography while also acknowledging some of the notable 20th century versions and it's splendid looking.

The Artistic Director of English National Ballet reflects on her company's lockdown achievements and discusses her first foray into choreography to revive a 19th-century classic. 

The Sleeping Beauty is perhaps the Ugly Duckling of Tchaikovsky’s three ballets. It was the second in the trilogy, completed in 1889, but has neither the dramatic thrust of Swan Lake nor the calorific sugar-coated charm of The Nutcracker in terms of popular appeal. 

Ask anyone who claims to know nothing about ballet to actually name one, the chances are it will be one of Tchaikovsky's, with Swan Lake high on the list.