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Performer: Mariusz Treliński

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StockholmKing Roger, (Król Roger) Op.46

King Roger by the Royal Swedish Opera © Sören Vilks
Szymanowski: King Roger, (Król Roger) Op.46
Grzegorz Nowak; Mariusz Treliński; Royal Swedish Opera; Boris Kudlička; Kaspar Glarner; Łukasz Goliński; Elin Rombo

WarsawEugene Onegin

Tchaikovsky: Eugene Onegin
Andriy Yurkevych; Mariusz Treliński; Polish National Opera; Boris Kudlička; Joanna Klimas; Mariusz Kwiecień; Anna Nechaeva

ViennaHalkaNew production

Moniuszko: Halka
Łukasz Borowicz; Mariusz Treliński; Theater an der Wien; Boris Kudlička; Dorota Roqueplo; Piotr Beczała; Corinne Winters
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Swedish première of Szymanowski’s King Roger in Stockholm

King Roger by the Royal Swedish Opera © Sören Vilks
Elin Rombo shines in a co-production of King Roger with the Royal Swedish Opera and Teatr Wielki, in Warsaw
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Off-the-mark Iolanta, but a terrifying Bluebeard at the Met

Angela Denoke (Judith) and Gerald Finley (Bluebeard) © Marty Sohl | Metropolitan Opera
Mariusz Treliński's double bill pairing returns to the Metropolitan Opera with fine performances from Sonya Yoncheva and Gerald Finley in the leads. 
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Occult, mystical, extreme: Prokofiev’s Fiery Angel in Aix

Aušrinė Stundytė (Renata) © Pascal Victor | artcompress
With a stunningly inventive and modern-sounding score, strong acting performances and a staging full of theatrical illusion and coherent in spite of general weirdness, Aix's Fiery Angel impresses.
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A tawdry travesty of a Traviata in Warsaw

La traviata © Krzysztof Bieliński
Mariusz Treliński's Traviata had nothing to do with Dumas, Piave or Verdi. It's as if he confused La Dame aux camélias with Lulu.
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Trelinski's passionless Tristan und Isolde

Stuart Skelton (Tristan) and Nina Stemme (Isolde) © Ken Howard | Metropolitan Opera
Director Mariusz Treliński’s previous work at the Met, in conjunction with Boris Kudlicka’s sets and Bartek Macias’ videos, was a double bill of Tchaikovsky’s Iolanta and Bartók’s Bluebeard’s Castle.
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