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Performer: Mariusz Treliński

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Tchaikovsky: Iolanta
Henrik Nánási; Mariusz Treliński; Palau de Les Arts Reina Sofia; Boris Kudlička; Magdalena Musiał; Lianna Haroutounian; Alexander Roslavets

New York CityIolanta/ Bluebeard's Castle

Tchaikovsky, Bartók
Henrik Nánási; Mariusz Treliński; Metropolitan Opera; Boris Kudlička; Marek Adamski; Sonya Yoncheva; Vitalij Kowaljow

StockholmKing Roger, (Król Roger) Op.46

Szymanowski: King Roger, (Król Roger) Op.46
Grzegorz Nowak; Mariusz Treliński; Royal Swedish Opera; Boris Kudlička; Kaspar Glarner; Łukasz Goliński; Elin Rombo

WarsawDie tote Stadt (The Dead City)

Korngold: Die tote Stadt (The Dead City)
Finnegan Downie Dear; Mariusz Treliński; Polish National Opera; Boris Kudlička; Marek Adamski; Jacek Laszczkowski; Ewa Vesin

WarsawEugene Onegin

Tchaikovsky: Eugene Onegin
Andriy Yurkevych; Mariusz Treliński; Polish National Opera; Boris Kudlička; Joanna Klimas; Mariusz Kwiecień; Anna Nechaeva
Latest reviewsSee more...

Occult, mystical, extreme: Prokofiev’s Fiery Angel in Aix

Aušrinė Stundytė (Renata) © Pascal Victor | artcompress
With a stunningly inventive and modern-sounding score, strong acting performances and a staging full of theatrical illusion and coherent in spite of general weirdness, Aix's Fiery Angel impresses.
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A tawdry travesty of a Traviata in Warsaw

La traviata © Krzysztof Bieliński
Mariusz Treliński's Traviata had nothing to do with Dumas, Piave or Verdi. It's as if he confused La Dame aux camélias with Lulu.
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Trelinski's passionless Tristan und Isolde

Stuart Skelton (Tristan) and Nina Stemme (Isolde) © Ken Howard | Metropolitan Opera
Director Mariusz Treliński’s previous work at the Met, in conjunction with Boris Kudlicka’s sets and Bartek Macias’ videos, was a double bill of Tchaikovsky’s Iolanta and Bartók’s Bluebeard’s Castle.
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Ocean voyage of Tristan und Isolde in Baden-Baden

Stuart Skelton (Tristan) and Eva-Maria Westbroek (Isolde) © Monika Rittershaus
Sir Simon and Berln Philharmonic triumphed in a thought-provoking production of Tristan und Isolde with a fine ensemble of singers.
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From darkness to light and back again

Piotr Beczała (Vaudémont) and Anna Netrebko (Iolanta) © Marty Sohl | Metropolitan Opera
The Met's première of Iolanta and Bluebeard's Castle, delayed by snow, opened with powerful singing and deeply effective staging. Iolanta showcased beautiful singing from the principals, while Bluebeard's Castle showed off brilliant playing by the Met Orchestra.
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