Performer: Mark Kurmanbayev

Live EventsSee more...

LucerneFestive New Year’s Concert – «About Last Night»

Culture and Congress Centre: Concert Hall, 2027 Jan 01, 02 mat

Rossini, Bizet, Satie, Hamilton, Glanzberg, Offenbach, Bolcom, Rachmaninov, Saint-Saëns, Mozart, Strauss II

Lucerne Symphony Orchestra; Vincenzo Milletarì; Marina Viotti; Mark Kurmanbayev

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Deutsche Oper, Sep 22, 29

Puccini: Tosca

TBC; Boleslaw Barlog; Deutsche Oper Berlin; Filippo Sanjust; Orchester der Deutschen Oper Berlin; Chor der Deutschen Oper Berlin

Deutsche Oper, Nov 01, 04, 07, 13

Tchaikovsky: The Queen of Spades (Pique Dame)

Kirill Karabits; Sam Brown; Deutsche Oper Berlin; Stuart Nunn; Linus Fellbom; Orchester der Deutschen Oper Berlin

Opéra Royal de Wallonie-Liège, 2027 Mar 05, 07 mat, 09, 11, 13

Smetana: The Kiss (Hubička)

Michael Güttler; Eric Chevalier; Opéra Royal de Wallonie-Liège; Fernand Ruiz; Fiammetta Baldiserri; Orchestra de Opéra Royal de Wallonie-Liège

Deutsche Oper, 2027 Apr 01, 03, 10, Jun 26, 30, Jul 03

Puccini: Tosca

TBC; Boleslaw Barlog; Deutsche Oper Berlin; Filippo Sanjust; Orchester der Deutschen Oper Berlin; Chor der Deutschen Oper Berlin

Latest reviewsSee more...

Compelling Ruzan Mantashyan makes the Grange’s Onegin unmissable

Ruzan Mantashyan (Tatyana) © Richard Hubert Smith

Mark Pullinger, 26 Jun

The Armenian soprano makes her Grange Festival debut – a casting coup that proves the single most compelling reason to see Max Webster’s new production.

****1

Mari Eriksmoen (Mélisande) and Björn Bürger (Pelléas) © GTG | Magali Dougados

Elodie Olson-Coons, 26 Oct

A maximalist production of Pelléas et Mélisande at Geneva's Grand Théâtre shines, but tries a little too hard.

****1

Nadine Sierra (Juliette) © Luciano Romano

Lorenzo Fiorito, 15 Feb

This first-time Neapolitan performance of Gounod's masterpiece is destined to leave a lasting impression in the audience's memory.

****1

Olesya Golovneva (Salome) © Grand Théâtre de Genève | Magali Dougados

Mark Pullinger, 22 Jan

The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.

*****