Performer: Martha Jones

It's not Christmas without Handel's Messiah, and in the delightful Smith Square Hall, the oratorio is given a staging by Wild Arts which may not completely convince, but moves nonetheless.

Harmonious images and geometric designs frame an effective staging and well sung performance of Monteverdi's last opera.

It is clear that these women are already ripe for plucking even before Don Alfonso unleashes his dastardly plan.

Despite the excellent playing of the Britten Sinfonia, Anna Morrissey’s flawed production disappoints. 

Philip Glass' hypnotic opera returns in Phelim McDermott's outstanding production that respects the solemn, statuesque grandeur and epic ritual of the score. 

Despite the entertainment value and striking imagery, Kramer's production is a surprisingly dull affair, with curiously little chemistry between the lead couple.