Performer: Martin Haselböck

In a program originally scheduled for the Musikverein in Vienna, Martin Haselböck and his Orchester Wiener Akademie played Beethoven and Schubert both familiar and curiously obscure. 

John Malkovich’s provocative new music-theatre work reminds us all of the power of music – in the wrong hands.

The Singverein and Akademieorchester were joined by Swedish soprano Malin Hartelius and Florian Boesch for Brahms' German Requiem.

Joshua Rifkin’s theory that Bach had no ‘choir’ in the modern sense may have gradually inched its way towards acceptance, but for all the heated discussion his research has generated, one-per-part Passions are rarer than one might suppose.

Da meistens zu behäbig und uninspiriert, ging diese Fechtschule unter Trainer Haselböck nur knapp ohne Niederlage der Beteiligten aus.

In der Reihe „Barock+“ dirigiert Martin Haselböck eine gemischte Tüte aus Bach, Cembalo und nach-romantischen Komponisten mit reichem Erbe.