Performer: Martin Lamb

Danyal Dhondy's new opera Shahrazad focuses on the brave young heroine who spins her stories each evening to keep her husband, King Shahryār, enthralled... and what happened when Shahrazad finished telling her final tale.

This Yeomen of the Guard was one of the best sung G&S performances I have heard. The traditional but inventive production will appeal to novices and enthusiasts alike.

Two years ago, when this controversial production by Peter Konwitschny was first seen at English National Opera, I was completely knocked sideways by it. Could it deliver the same emotional blow to the solar plexus this time around?