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MarvãoHoly Mass & Mozart Mass
Mozart: Missa brevis in D major, K194 (K186h)
Kölner Kammerorchester; Pedro Teixeira; Carla Isabel Gómez; Juliane Banse; Martin Mitterrutzner; Louis de Boncourt
MarvãoComposer Portrait - Benjamin Britten
Britten
Carla Isabel Gómez; Martin Mitterrutzner; Ruifeng Lin; Aleksandar Madžar
MarvãoFarewell Gala - Hong Kong Sinfonietta, Christoph Poppen
Mozart, Bruch, Saint-Saëns, Bizet, Sarasate
Hong Kong Sinfonietta; Christoph Poppen; Juliane Banse; Valentin Lee; Martin Mitterrutzner; Rafael Fingerlos
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The Cleveland Orchestra brings a holy Mass to Carnegie Hall
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Franz Welser-Möst creatively fused Schubert's “Unfinished” Symphony with Berg's Lyric Suite, before leading an opulent performance of Mass no. 6 in E flat Major.
Castellucci’s makeover of Mozart’s Requiem at the Adelaide Festival
A work designed to be performed in church has become a dramatic music theatre event that captured and held me enthralled throughout in a meditation on both death and life.
Cavalli's La Calisto returns to Munich
A flamboyant production and a wonderful cast of singers seals a big success for this gem of the early Baroque.
Hrůša conducts a flawed Don Giovanni in Bamberg
Christian Gerhaher’s experience in a role he knows well rescued an evening of mitigated pleasures.
Ariadne auf Naxos dismantled at the Salzburg Festival
Richard Strauss and Hugo von Hofmannsthal’s Ariadne auf Naxos was first performed in 1912, in a production directed by Max Reinhardt. Unlike the version usually seen today, this first Ariadne was a long-winded play-opera-ballet hybrid, incorporating a full production of Molière’s Le bourgeois gentilhomme with dances to incidental music by Strauss followed by the short opera.
Prometteur Enlèvement au sérail au Festival de Marvão
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Pour la première fois, le festival fondé par le chef d'orchestre Christoph Poppen et la soprano Juliane Banse propose une production lyrique, dans un cadre quelque peu étriqué mais exceptionnel.