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Performer: Mary Elizabeth Williams

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Fine music-making redeems dull production in COC’s Nabucco

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The Canadian Opera Company’s season opening production is musically excellent, but the dated, dull production adds little. 
***11
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Ballo II, the American cut: an indigestible staging at WNO

Musically, WNO gets it right. Straightforward brilliance is the order of the day, and plenty of it.
***11
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Seattle Opera's Porgy and Bess is a vocal and dramatic stunner

Seattle Opera's memorable Porgy and Bess excels with an exceptional cast who performed with utmost sympathy for their roles.
****1
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Wheel of Fortune: Preziosilla spins Pountney's Force of Destiny

When the entire plot is triggered by a freak accident, you can't blame director David Pountney for making Fate itself one of the key characters.  
****1
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Spano Conducts a Concert Version Otello in Atlanta

With Verdi's Otello, Music Director Robert Spano continues a recent Atlanta Symphony Orchestra tradition of presenting grand operatic works in a concert hall version
***11
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WNO's jolly good romp in Birmingham

WNO's excellent revival of John Copley's 2011 staging of Die Fledermaus is a delight. 
****1
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BrusselsMedusaWorld premiere

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Bell: Medusa
Michiel Delanghe; Lydia Steier; La Monnaie | De Munt; Flurin Borg Madsen; Katharina Schlipf; Elana Siberski; La Monnaie Symphony Orchestra