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A lacklustre Maid of Orleans in Geneva
The performance bids for musical purity, but ends up stripped of story and emotion as well.
Petibon shines in Olivier Py's ambitious Manon
A Manon as sexy and unsteady as its heroine.
Too many greys in Geneva's Falstaff
A huge revolving grey monolith centre stage dominated a grey floor, grey props and men in grey costumes, all detracting from the gaiety Verdi envisaged as the essence of Falstaff.