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MunichSiegfriedNew production

Wagner: Siegfried
Vladimir Jurowski; Tobias Kratzer; Bavarian State Opera; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
MunichDas Rheingold

Wagner: Das Rheingold
Vladimir Jurowski; Tobias Kratzer; Bavarian State Opera; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
MunichSiegfriedNew production

Wagner: Siegfried
Vladimir Jurowski; Tobias Kratzer; Bavarian State Opera; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
VeniceVenere e AdoneNew production

Sciarrino: Venere e Adone
Kent Nagano; Georges Delnon; Teatro La Fenice; Orchestra del Teatro La Fenice; Coro del Teatro La Fenice; Layla Claire; Randall Scotting
Latest reviewsSee more...
And they were the most divine gods: Das Rheingold in Munich

Tobias Kratzer's prelude to this new Ring cycle exceeds all expectations and scores a musical-theatrical success.
Dalbavie’s Melancholie des Widerstands premieres in Berlin

The world premiere of Marc-André Dalbavie's Melancholie des Widerstands at the Staatsoper Unter den Linden marks the birth of a new genre – the film-opera – starring conductor Marie Jacquot and Philippe Jaroussky.
Staatsoper Hamburg's new Boris Godunov traverses Russian history

Opening the new opera season, Kent Nagano powerfully directs Mussorgsky's great psychodrama about a famous tsar, marred only by Frank Castorf's visually confusing and symbolically overweighted production.
Beauty and the beast: Sciarrino's Venere e Adone premieres in Hamburg

What does opera in the 21st century look and sound like? Streets removed from anything Mozart, Verdi or Wagner would have recognised. But Salvatore Sciarrino is his own man.
Dramatic music-making at its finest as Homoki's Zurich Ring begins
A match made in heaven: director's Homoki's compelling interpretation of Das Rheingold is married to exciting musical direction from Gianandrea Noseda, not to mention the stellar cast of singers.
Lear in Munich: brilliant performance, but lifelessly staged
A superb cast of singers is let down by Christoph Marthaler's cold, stilted staging as Reimann's Lear returns to its birthplace.
