| Saturday 10 April 2027 | 18:00 |
| Saturday 17 April 2027 | 19:00 |
| Sunday 09 May 2027 | 19:00 |
| Thursday 13 May 2027 | 19:00 |
| Thursday 20 May 2027 | 19:00 |
| Saturday 22 May 2027 | 19:00 |
| Akiki, Bassem (b. 1983) | Atatürk |
| Staatsoper Stuttgart | ||
| Bassem Akiki | Conductor | |
| Ersan Mondtag | Director, Set Designer, Costume Designer | |
| Gerrit Jurda | Lighting Designer | |
| Staatsorchester Stuttgart | ||
| Till Briegleb | Dramaturgy | |
| Julia Schmitt | Dramaturgy | |
| Staatsopernchor Stuttgart | ||
| Jeremy Bines | Choirmaster / chorus director | |
| Matthias Klink | Tenor | Mustafa Kemal, später Atatürk |
| Natasha Te Rupe Wilson | Soprano | Sabel Jessajan, Dichterin, Sabiha Gökcen, Mustafa's daughter |
| Alma Ruoqi Sun | Soprano | Fikriye Hanim, Mustafas Geliebte, 1. Frau, die Stotternde |
| Josefin Feiler | Soprano | Latife, Mustafas Ehefrau, 2. Frau, die Fromme |
| Itzeli del Rosario | Mezzo-soprano | Makbule, Mustafas Schwester, 3. Frau, die Tratschlustige |
| Stine Marie Fischer | Mezzo-soprano | Zübeyde Hanim, Mustafas Mutter, 4. Frau, die immer Kranke |
| TBC | Enver Pascha, 5. Frau, die Überassimilierte | |
| Sam Harris | Tenor | Otto Liman von Sanders, Mustafas Berater, 6. Frau |
| Stephan Bootz | Bass | Dr. Fiessinger, Mustafas Arzt, John Spencer, Paul Hindemith |
| Michael Mayes | Baritone | Sheikh Said, Soghomon Tehlirian |
A nation invents itself – and one man becomes its face. At the end of World War I, Mustafa Kemal, a celebrated military leader in the crumbling Ottoman Empire, envisions a young, modern republic modelled on the West. In defiance of the Allies’ geopolitical plans, he proclaims the new Turkish state in 1923 and, through reforms such as secularism, women’s rights, the headscarf law, and script reform, establishes the framework for a new state and a new conception of humanity: “He would not stoop down; the people should rise up to him.” Yet every new beginning exacts its price. What does it cost to invent a nation? Personal relationships take on historical significance, and political visions encroach upon the most intimate spaces. Female figures, companions, opponents, and a polyphonic chorus form the echo of a society in upheaval. Amid waltz-like bliss, dervish dances, and war reports; tradition and secularisation; emancipation and repression – a panorama emerges of an era rewriting itself, yet leaving behind unanswered questions. What does progress mean? Who pays for reforms? And how much violence lies within the dream of unity? Playwright Olga Bach’s poetically condensed libretto does not follow a chronological order. It moves between documentary traces and fiction: the frenzy of the end, the intoxication of the beginning, the long shadows of political decisions. Director Ersan Mondtag translates this search for identity into evocative, surreal, exaggerated visual spaces and examines the figure of Atatürk as a myth straddling the line between human and monument. Kammersänger Matthias Klink performs the title role, while composer Bassem Akiki, conducting the Staatsorchester Stuttgart, intertwines sound and stage into a multi-layered space of diverse musical cultures – creating a musical theatre that does not merely illustrate history, but questions it from a contemporary perspective. An evening about power and seduction, about vision and loss. And about the question of how much future lies in a dream of a nation.
In German, Turkish, Armenian, Kurdish, French, Greek and English with German and English surtitles
An introduction will take place in the first-tier foyer 45 minutes before the performance begins.
Introductory matinee on “Atatürk“ on March 21, 2027

