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BerlinOrpheus in the Underworld
Offenbach: Orphée aux enfers (Orpheus in the Underworld)
James Hendry; Barrie Kosky; Komische Oper Berlin; Rufus Didwiszus; Victoria Behr; Franck Evin; Orchester der Komischen Oper Berlin
BerlinFiddler on the Roof
Bock: Fiddler on the Roof
Koen Schoots; Barrie Kosky; Komische Oper Berlin; Orchester der Komischen Oper Berlin; Chorsolisten der Komischen Oper Berlin; Max Hopp; Dagmar Manzel
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Kosky's Eine Frau, die weiß, was sie will at Komische Oper
It takes two to tango... but what about vaudeville? A rerun of Barrie Kosky's production of Oscar Straus' Eine Frau, die weiß, was sie will owes most of its charm to the two leads.
Max Hopp falls short with Die Banditen at Komische Oper
The last of Jacques Offenbach's great buffo operettas provides an opportunity for topical satire but Max Hopp’s attempts at updating it fall short of the mark.
A last Fiddler on the Roof for Barrie Kosky in Berlin
Celebrating his tenth and last season at the head of Komische Oper, Kosky treats himself to a revival of his 2017 production, which shows no signs of aging.
Au fait with Orphée: Salzburg celebrates Offenbach's bicentenary
The Salzburg Festival's production of Offenbach's Orpheus in the Underworld is another classic in the making from Barrie Kosky.
Fiddler on the Roof returns to the Komische Oper
“Fiddler on the Roof” as a universal parable of tradition
Beethoven and beyond: Vladimir Jurowski and the Rundfunk-Sinfonieorchester Berlin
Vladimir Jurowski is fond of grand statements, and sometimes off-the-wall programming – genius when it works, baffling when it doesn’t.