Kosky's Eine Frau, die weiß, was sie will at Komische Oper

Eine Frau, die weiß, was sie will

By Elena Luporini, 25 March 2024

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“the show mostly took place through the actors’ bodies, their charisma and comedic timing”

Reviewed at Schillertheater: Großer Saal, Berlin on 22 March 2024

Straus, Eine Frau, die weiss, was sie will (A woman who knows what she wants)

Komische Oper Berlin

Adam Benzwi, Conductor

Barrie Kosky, Director

Orchester der Komischen Oper Berlin

Dagmar Manzel, Soprano

Max Hopp, Baritone

Handel’s Belshazzar at Komische Oper Berlin

Zenaida des Aubris, 28th March

The Baroque confectionery of Herbert Fritsch's production of Handel's oratorio belies a serious core which is all too close to today's headlines.

****1

Barrie Kosky directs a ferocious new Lady Macbeth of Mtsensk

Zenaida des Aubris, 31st January

Shostakovich's opera is laid bare in Berlin, to devastating effect, with a distinguished cast led by Ambur Braid.

****1

Masks and obsessions: Evgeny Titov’s Salome at Komische Oper Berlin

Zenaida des Aubris, 22nd November

Salome is faceless and the Dance of the Seven Veils becomes a sardonic commentary on seduction in Komische Oper Berlin's austere new staging.

****1

Opulent minimalism: Kosky directs a new staging of Akhnaten

Zenaida des Aubris, 23rd March

Barrie Kosky's new production of Philip Glass' Akhnaten for Komische Oper at the Schillertheater removes any egyptological references.

****1

A blade too dull: Kosky directs Sweeney Todd at Komische Oper

Elena Luporini, 17th November

With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.

**111

Kirill Serebrennikov’s Marriage of Figaro challenges Edinburgh

David Smythe, 16th August

Komische Oper Berlin's The Marriage of Figaro is staged at the Edinburgh International Festival with a strong cast headed by Penny Sofroniadou and Peter Kellner.

****1

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Elena Luporini

After completing their Master's degree in Musicology in Rome, Elena has now moved to Berlin to dedicate themselves to more things musical. With a publication on Béla Bartók and a seminar at the Humboldt-Universität underway, their interests mostly veer toward 20th-century opera, with some forays into queer musicology. Some of their latest undertakings also include oboe lessons, stencil-making and tea-making.

Kosky does Straus: Eine Frau, die weiß, was sie will at Komische Oper Berlin