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Performer: Maxim Mironov

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BarcelonaL'italiana in Algeri (The Italian Girl in Algiers)

L'italiana in Algeri (The Italian Girl in Algiers)
Rossini: L'italiana in Algeri (The Italian Girl in Algiers)
Riccardo Frizza; Vittorio Borrelli; Gran Teatre del Liceu; Claudia Boasso; Santuzza Calì; Varduhi Abrahamyan; Maite Beaumont

MilanLa Cenerentola (Cinderella)

Rossini: La Cenerentola (Cinderella)
Ottavio Dantone; Jean-Pierre Ponnelle; Teatro alla Scala; Marianne Crebassa; Maxim Mironov

BolognaLa Fille du régiment

Donizetti: La Fille du régiment
Yves Abel; Emilio Sagi; Teatro Comunale di Bologna; Julio Galan; Hasmik Torosyan; Larissa Alice Wissel

HamburgOrphée et EurydiceNew production

Gluck: Orphée et Eurydice
Alessandro De Marchi; John Neumeier; Hamburg State Opera; Dmitry Korchak; Maxim Mironov

BerlinIl barbiere di Siviglia

Rossini: Il barbiere di Siviglia (The Barber of Seville)
Julien Salemkour; Ruth Berghaus; Staatsoper Berlin; Achim Freyer; Marianne Crebassa; Maxim Mironov
Latest reviewsSee more...

Pier Luigi Pizzi’s Barbiere triumphs in Pesaro

Davide Luciano (Figaro) and Aya Wakizono (Rosina) © Studio Amatio Bacciardi
The Rossini Opera Festival stages a new production of the most famous of Rossini’s masterpieces to celebrate the composer in the 150th anniversary of his death.
****1
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Lots of Gluck: LA Opera’s Orphée et Eurydice

Lisette Oropesa (Eurydice) © Ken Howard
With a potent cast and excellent dancing, this is a sophisticated take on Gluck's opera. 
***11
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Neon and cubes in Zurich

Maxim Mironov (Almaviva) © Toni Suter
Questionable identities, clandestine messages, love and money are the stuffs of Gioacchino Rossini’s Il barbiere di Siviglia, revived again in Zurich.
***11
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A frivolous La pietra del paragone in Pesaro

Aya Wakizono (Clarice) © Amati Bacciardi
The young tenor Maxim Mironov, who played the poet Giocondo, was the name on everyone's lips by the end of the show. His voice is a modestly-sized and soft-grained, but it is beautifully produced, and focuses to a laser-like point up top.
****1
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Rossini's Turk given in memory of Alberto Zedda

Hasmik Torosyan (Fiorilla) and Simone Alberghini (Selim) © Rocco Casaluci
In Livermore's staging the scheme becomes meta-cinematographic: the poet Prosdocimus here has Marcello Mastroianni's features in Fellini's film 8 ½.
***11
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