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Performer: Miah Persson

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ViennaGruber & Mahler

Gruber, Mahler
Vienna Symphony Orchestra; Edward Gardner; Miah Persson; HK Gruber

MadridMatthews, Bartók, Mahler en Ibermúsica

© Monika Rittershaus
Matthews C., Bartók, Mahler
Orchestre Philharmonique du Luxembourg; Gustavo Gimeno; Vilde Frang; Miah Persson

SingaporeSSO Subscription: Lan Shui's Farewell

Mahler: Symphony no. 2 in C minor 'Resurrection'
Singapore Symphony Orchestra; Lan Shui; Miah Persson; Anna Larsson; Singapore Symphony Chorus; Singapore Symphony Youth Choir

StockholmRoyal Stockholm Philharmonic play Tommie Haglund

Royal Stockholm Philharmonic play Tommie Haglund
Haglund, Delius
Royal Stockholm Philharmonic Orchestra; Tobias Ringborg; Ilya Gringolts; Miah Persson

StockholmTommie Haglund Chamber works

Tommie Haglund Chamber works
John Mills; Miah Persson; Gringolts Quartet; Members of Royal Stockholm Philharmonic Orchestra
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Prom 62: An orchestral kaleidoscope from Petrenko and the RLPO

Miah Persson and the Royal Liverpool Philharmonic Orchestra © BBC | Chris Christodoulou
Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra offer a stunning palette of orchestral colours in Elgar, Bell, Strauss, and Bartók.
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A gentle, sympathetic Capriccio at Garsington

Miah Persson (Countess), Sam Furness (Flamand) in background © Johan Persson
An affirmation of the importance of cultural values in the face of the abyss, or Richard Strauss fiddling while Europe burnt? Tim Albery's production leaves it to us to decide.
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Don Giovanni: Into the abyss at the Liceu

Julia Lezhneva (Zerlina) and chorus © A. Bofill
A visually stunning production with a fine cast to match. 
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A brooding Turn of the Screw at La Scala

Ian Bostridge (Peter Quint) and Miah Persson (Governess) © Marco Brescia & Rudy Amisano | Teatro alla Scala
Britten's The Turn of the Screw finally makes its debut at La Scala in Kasper Holten's eerie staging. 
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Prom 13: LPO and Jurowski in Beethoven 9 & Lindberg

Vladimi Jurowski © BBC / Chris Christodoulou
Democracy and collectivism were hard at work as Jurowski’s decidedly undictatorial style fostered a strong on-stage community amongst the London Philharmonic Orchestra and Choir, who ultimately conjured Elysium itself.
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