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Performer: Miah Persson

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VerbierThe Creation

The Creation
Haydn: The Creation (Die Schöpfung), Hob XXI:2
Verbier Festival Chamber Orchestra; Gábor Takács-Nagy; Miah Persson; Pavol Breslik; Peter Mattei; Andreas Bauer

ViennaGruber & Mahler

Gruber, Mahler
Vienna Symphony Orchestra; Edward Gardner; Miah Persson; HK Gruber

LondonThe Rake's Progress

The Rake's Progress
Stravinsky: The Rake's Progress
Vladimir Jurowski; Daniel Slater; Miah Persson; Patricia Bardon; Allan Clayton; Matthew Rose

MadridMatthews, Bartók, Mahler en Ibermúsica

© Monika Rittershaus
Matthews C., Bartók, Mahler
Orchestre Philharmonique du Luxembourg; Gustavo Gimeno; Vilde Frang; Miah Persson

SingaporeSSO Subscription: Lan Shui's Farewell

Mahler: Symphony no. 2 in C minor 'Resurrection'
Singapore Symphony Orchestra; Lan Shui; Miah Persson; Anna Larsson; Singapore Symphony Chorus; Singapore Symphony Youth Choir
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A gentle, sympathetic Capriccio at Garsington

Miah Persson (Countess), Sam Furness (Flamand) in background © Johan Persson
An affirmation of the importance of cultural values in the face of the abyss, or Richard Strauss fiddling while Europe burnt? Tim Albery's production leaves it to us to decide.
***11
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Don Giovanni: Into the abyss at the Liceu

Julia Lezhneva (Zerlina) and chorus © A. Bofill
A visually stunning production with a fine cast to match. 
****1
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A brooding Turn of the Screw at La Scala

Ian Bostridge (Peter Quint) and Miah Persson (Governess) © Marco Brescia & Rudy Amisano | Teatro alla Scala
Britten's The Turn of the Screw finally makes its debut at La Scala in Kasper Holten's eerie staging. 
****1
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Prom 13: LPO and Jurowski in Beethoven 9 & Lindberg

Vladimi Jurowski © BBC / Chris Christodoulou
Democracy and collectivism were hard at work as Jurowski’s decidedly undictatorial style fostered a strong on-stage community amongst the London Philharmonic Orchestra and Choir, who ultimately conjured Elysium itself.
***11
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Spellbinding Anna Larsson the highlight of the LSO's Mahler's 2

Anna Larsson © Askonas Holt
Harding's brisk, unsentimental reading proves only intermittently successful, but is redeemed by excellent singing.
***11
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