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Orchestra and chorus light up Garsington's Eugene Onegin revival
The Philharmonia and Garsington Chorus deliver great performances, as do Natalia Tanasii and Fleur Barron as the two Larina sisters.
A flawed but interesting Don Giovanni from Garsington Opera
As a hybrid of brilliance and disappointment, this Don Giovanni is in a class of its own.
Light and shade: Pelléas et Mélisande at Wormsley
Debussy’s opera of half-lights succeeds in taming the glare of the midsummer sun in Garsington’s new staging.
A stylish Eugene Onegin at Garsington
Michael Boyd's stylish new production is broadly traditional, apart from beyond-the-grave appearances by Lensky.
Going Shakespearean at the Roundhouse
Former RSC Artistic Director Michael Boyd imparts a distinctly Shakespearean flavour to Monteverdi's L'Orfeo in this first collaboration between the Royal Opera and the Roundhouse.
